Renate Sami was moved into becoming a filmmaker aged forty following the death of Holger Meins, the subject of her first film. Later subjects include the work of writers and painters, her films proposing an imaginary dialogue with those of fellow filmmakers such as Danièle Huillet and Jean-Marie Straub, Harun Farocki and Ute Aurand, with whom Sami co-founded “FilmSamstag” (Film Saturday), a mon... Read More