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Non-Fiction 05: The Obsolete and The Resurrected: Archaeological Cinema in Asia
Non-Fiction 04: Peculiar Forms
Non-Fiction 03: The Living Journal
Non-Fiction 02: Network
Non-Fiction 01 : Power
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ICONS
ICONS
ICONS
Article 1
Archaeological Cinema in Asia
The Obsolete and The Resurrected:
Pan Lu and Bo Wang
Article 2
Voyages Inside/Out Asia (2021)
The Making of Anachronic Chronicle:
A Conversation between Pan Lu and Yu Araki
Article 3
Fan Ho and Experimental Cinema
Lost / Mí :
Timmy Chen
Article 4
How I Learned to Stop Worrying and Love the Travelogue
Decolonizing (through) Obsolete Media:
Shota T. Ogawa
Article 5
The Revival of the Legendary Taiwanese Film Ghost Carnival (1994)
Dancing Its Way Out of the Film Archive :
Ruby HSIEH I-Hsuan
Article 6
Tongpan (ทองปาน), Migration and the Quest for a Better Life in Thailand’s Northeast
What is a good life? And who can have it?
Rosalia Engchuan
Article 7
Three Stories from an Guangzhou Artist working around Obsolete Media
On ‘On Kino’:
Qin Dao
Article 8
Landscape Film as Essay, and Takamine Gō’s Okinawan Dream Show (1974)
Reminiscences of a Journey to Okinawa:
Ma Ran
Article 9
My History of Films
Experiments:
Kao Chung-li
Article 10
Kim Soyoung on Her “Exile” Documentary Trilogy
Towards a Technology of the Dead:
Kim Soyoung
Article 11
See you all again
John Torres