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Article 1

Archaeological Cinema in Asia
The Obsolete and The Resurrected:
Pan Lu and Bo Wang

Article 2

Voyages Inside/Out Asia (2021)
The Making of Anachronic Chronicle:
A Conversation between Pan Lu and Yu Araki

Article 3

Fan Ho and Experimental Cinema
Lost / Mí :
Timmy Chen

Article 4

How I Learned to Stop Worrying and Love the Travelogue
Decolonizing (through) Obsolete Media:
Shota T. Ogawa

Article 5

The Revival of the Legendary Taiwanese Film Ghost Carnival (1994)
Dancing Its Way Out of the Film Archive :
Ruby HSIEH I-Hsuan

Article 6

Tongpan (ทองปาน), Migration and the Quest for a Better Life in Thailand’s Northeast
What is a good life? And who can have it?
Rosalia Engchuan

Article 7

Three Stories from an Guangzhou Artist working around Obsolete Media
On ‘On Kino’:
Qin Dao

Article 8

Landscape Film as Essay, and Takamine Gō’s Okinawan Dream Show (1974)
Reminiscences of a Journey to Okinawa:
Ma Ran

Article 9

My History of Films
Experiments:
Kao Chung-li

Article 10

Kim Soyoung on Her “Exile” Documentary Trilogy
Towards a Technology of the Dead:
Kim Soyoung

Article 11

See you all again
John Torres