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Non-Fiction 06: Inscriptions
Non-Fiction 05: The Obsolete and The Resurrected: Archaeological Cinema in Asia
Non-Fiction 04: Peculiar Forms
Non-Fiction 03: The Living Journal
Non-Fiction 02: Network
Non-Fiction 01 : Power
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ICONS
ICONS
ICONS
Article 1
Reminiscences of a Journey to Okinawa:
Landscape Film as Essay, and Takamine Gō’s Okinawan Dream Show (1974)
Ma Ran
Article 2
The Obsolete and The Resurrected:
Archaeological Cinema in Asia
Pan Lu and Bo Wang
Article 3
The Making of Anachronic Chronicle:
Voyages Inside/Out Asia (2021)
A Conversation between Pan Lu and Yu Araki
Article 4
Lost / Mí :
Fan Ho and Experimental Cinema
Timmy Chen
Article 5
Decolonizing (through) Obsolete Media:
How I Learned to Stop Worrying and Love the Travelogue
Shota T. Ogawa
Article 6
Dancing Its Way Out of the Film Archive :
The Revival of the Legendary Taiwanese Film Ghost Carnival (1994)
Ruby HSIEH I-Hsuan
Article 7
What is a good life? And who can have it?
Tongpan (ทองปาน), Migration and the Quest for a Better Life in Thailand’s Northeast
Rosalia Engchuan
Article 8
On ‘On Kino’:
Three Stories from an Guangzhou Artist working around Obsolete Media
Qin Dao
Article 9
Experiments: My History of Films
Kao Chung-li
Article 10
Towards a Technology of the Dead:
Kim Soyoung on Her “Exile” Documentary Trilogy
Kim Soyoung
Article 11
See you all again
John Torres